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Dangling from a rather loose noose, The Hanging Man features Death being fed up and taking a break from it all. From the taking of lives, from the removal of the idiots from the stream and generally being done with cleaning up the world of the people otherwise destined for the other side.
Working on a couple of levels on interaction, The Hanging Man swims between an outright story unfolding on stage to one smelling like the air of a rough workshop. Talking like they do to the audience, the cast breathe this connection that jumps the point between now and then. A lot of which leaves time hanging about waiting for the return to the flow.
Rest of the review of The Hanging Man - Improbable Theatre - Drama Theatre, Sydney Opera House - 16/05/06
Database error: Please bake some more brownies.
Such a beautiful production. Shame about all the patrons making off with all of the cough drops. Pity the coughers.
Rest of the review of Giselle - Australian Ballet - Opera Theatre, Sydney Opera House - 08/05/06
Xylophone frenzy warns those stuck in the box office queue that the show will be on within a few minutes. High note beats back against a low note and the one-upping seems to hold on to a little pea of crazy. Effeminate-man walks along asking for pre-paids to hand out tickets to and spills a lie about the good seats still on offer for the unfortunates saddled with being last in line. Their seats are directly opposite on the other side of the mezzanine, looking down into a pit of round tables filled with drinks and grey-haired people. Turtle-woman at one of the tables below sets the scene for the night with a freakishly disproportionate head against a large body. Estimated age for the night is a generous 54.
Directly opposite the ukulele-shaped stage, a man tries on and wears a French-styled accent for the night. "Presenting for you, The Burlesque Hour…"
Rest of the review of The Burlesque Hour - The Studio, Sydney Opera House - 02/11/04
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