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Bedtime for Bastards - The Crypt Theatre, Cat and Fiddle Hotel - 23/11/05

Salsa lessons smack the floorboards with the gut of man squeezing past boundaries over tables in the dining area. Dinner and show, offers a package for food from the Cat and Fiddle bistro and stage antics of The Crypt Theatre. Winner in this equation, the theatre. A four dollar pasta ripe with chicken strips and small on edible weight. Sarsaparilla almost forces the hand of the fresh barkeep to taking a bottle from the back. Its non-existence foiling ultimate plans concerning Dr Pepper's mediocre substitute.

The Crypt Theatre watches on as elbows play inside the rib cages of neighbouring audience members. Not more than 40 chairs are present and the stage area leaves no room for excess. Productions are tight and strip away everything to leave but the essence of characters and the driving plot.

Rest of the review of Bedtime for Bastards - The Crypt Theatre, Cat and Fiddle Hotel - 23/11/05

Emergence - An interactive experiment by Synarcade - The Studio, Sydney Opera House - 11/10/05

Broken circuit city ushers with exceptionally long eyelashes and wires jutting out all over the foyer of The Studio set up the freaky nature of the night. Mute and jerky, the women bump about handing out disclaimer forms; signing the waivers probably optional. Nobody checks them nor do they inspect tickets on the way into the dark of the floor.

No seats save for a few benches around the edge. Older set taking them up in a snap. From the very start Emergence breaks in the hint that the movement and participation of the audience is vital to the enjoyment and running of the production. Still, there are a couple of guys sitting on the centre stage waiting for the action to begin. Action which starts as soon as the ushers show them outside the white circle.

Rest of the review of Emergence - An interactive experiment by Synarcade - The Studio, Sydney Opera House - 11/10/05

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