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Bogus. Chance a go at wiping down a comicbook with a slightly, though not entirely, damp cloth, and spend the next few days in observation. Watch as the next days curl up the covers, possibly shortening the reach like the bed sheets at a hostel. No slight increase by way of meds here. One sudden burst in the right temperature and then BAM! The whole book needs to be flipped over to sleep on its stomach in an attempt to bring down the erection. The indignity of it all.
Feared lost with severe degradation in back issue bins or drowning in the heady throwaway status of many a comic, this reprint collection brings back the first four issues of Bill & Ted's Excellent Comic Book along with the adaptation of the Bogus Journey film. The original series is in disparate and dissected numbers out there. Fighting desperately against age and mould on the battle ground made of long boxes, naked without the aid of backing boards.
Rest of the review of Bill & Ted's Most Excellent Adventures - Volume 1 - Slave Labor Graphics
Ambling into the emptied theatre sounded almost like walking into the credits of a Farscape feature film. Alas, that is still to be and instead, the final minutes of The Matrix Revolutions of the session prior. Outside keeping focus were a few hidden objects in the displays for Eddie Murphy's The Haunted Mansion. Time was trickling and the people started to fill the seats. First it looked hopeful toward a small gathering of only five, but then a rowdy load of teenagers brought the number up to thirty.
On sight of the final scene of The Matrix Revolutions the back row brought on a wave of applause. This coming from the group who earlier on gave the distinct impression that they were in the wrong place, highly expecting Jackie Chan's The Medallion type action and reaction. The type of talk that swims into itself endlessly carrying on a ripple of sense once but now no longer.
Rest of the review of The Matrix Revolutions
There is this Superman one shot—it might have been a miniseries—with Superman fighting back an Alien onslaught from the Aliens mythos. As a lot of others are saying, The Matrix Reloaded is the best Superman film ever.
Certain parts of the film were weighing up the scales with the at times extremely long dialogue or explanations concerning the concepts and ideas based around philosophy which in turn are the basis for The Matrix itself. An extensive application of the heavy laden scripting occurs when Neo (Keanu Reeves) engages with a character calling himself The Architect (Helmut Bakaitis) to discuss and dissect the nature of the Matrix itself. In the first, Mouse (Matt Doran) contemplates the reasoning behind how strange or different meat often defaults to the simple taste of chicken. "How are we to know what chicken really tastes like and what if the makers of the program got it wrong and thus why everything tastes like chicken?" Or words to that effect. As The Architect resembles a younger version of Colonel Sanders there's reason to believe that it could be some kind of joke on the whole premise.
Rest of the review of Superman versus Aliens (The Matrix Reloaded)
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