The Wax Conspiracy

Deftones - Self Titled

Alex Yamakazi - Thursday, 5 June, 2003 - Print Version

Nu-metal is a genre that might need a name change in the not too distant future. Perhaps not so nu-metal? It's also a genre with a few quality issues. A lot of it is seriously lacking in (a) artistic talent (b) originality and (c) intellectual content. So perhaps Nu-metal is a box that Deftones have been unfairly packed into. In fact after listening to their new album I'm beginning to think that they deserve a box all of their own!

Not only do these boys not fit into a genre box they also don't fit into any traditional rockstar mould. They are real and genuine people that just happen to have become international megastars. No tacky product endorsements, no carbon copy pretty boy looks. The Deftones boys are themselves and they're damn comfy in their skins. In an age of unattainable ideals the Deftones manage to convey an accessibility and connection with their fans second to none.

The eagerly anticipated, much debated and jealously guarded new self titled album manages to do what few albums seem able to. It breaks new ground while maintaining the bands artistic integrity. Lyrically and musically it reflects a band who are constantly seeking to bring new ideas to fruition.

Their lyrical content has changed over the years to reflect what the boys are currently experiencing in their lives and this has allowed them to stay fresh and passionate. Chino's lyrics are intricate, complex, poetic and abstract. Chino resists the road of easily digestible angst and instead his lyrics are almost like a stream of consciousness exploration of the pictures inside his head.

While it embraces a variety of styles throughout, it is also remarkably consistent in quality. No filler tracks here. Patience is not one of my strong points and I have not used the skip button on this one once. While the boys maintain their bottom heavy big guitar sound they also experiment increasingly with electronic soundscapes. Rather than making a point of using electronica they integrate it seamlessly into their established style to allow the music to better paint their visions.

Chino's energy as a frontman takes us from sulky, stoned, sensuality through to screaming rage and back again within the space of seconds. The musicianship throughout has the seasoned tightness of a band that has toured and played together extensively. Big riffs combined with sexy atmospheric moments make this an original and beautiful album that never fails to surprise in all the right ways. A truly stunning album and a worthy follow up to White Pony.

Alex Yamakazi

 

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